puss is a new label from hnny and kornél kovács, pushing club ready dance tracks to tenderhearted discjockeys around the world. the first release came this spring, with hnnys simple yet devastatingly effective rnb refix *boy* and kornél kovács eerie dub version *yob* sharing one side each – for the follow up, hnny transforms a late 90s jam by wexford, pennsylvanias finest into an acid-tinged house jam in two different arrangements. as always with puss, each record comes with a unique real human kiss mark. expect more to come.

after serving up a vigorous taste of his garage-house approach on the highly successful music is love va earlier in the year, jackmaster k is the latest artist from the mil roster to continue the imprints in-house premise. with each ep the label release, they give us something different amid the infectious house theyre building a reputation for. on mil006 the birmingham-based producer adds to the labels progressing status, with an ep that comes complete with two heavy-weight remixes from liam geddes and new jack city.

as a label manager a lot of music reaches you ears. some you get especially attached to. this release is one of those. the two italian producers massprod and herva (bosconi, delsin) has together produced some music that feels very unique and different.

limited vinyl edition with album cd! incl remixes by kollektiv turmstrasse, matthias meyer & patlac, dub taylor. the cosmic cowboys project was born in 2008 from the different styles of twoyoung venetian artists, nicola sansoni aka randomatique and kaled jabariaka kaledj. for >zero gravity love< their first album which will be released on musik gewinnt freunde, collaborations with talented musicians and singers from all over the world were made. it defines a mixture with their well-known emotional, groovy and new dub and electronic structures. the result is nothing that can be named into a specific genre but a mix of all their influences reshaped into the new sound of cosmic cowboys that they like to call >the version 2.0 of ourselves<. but there is more to it than that. if you still havent noticed yet we also have the 3 fabulous remixes with us, which fit best together with the album. dub taylor, matthias meyer & patlac and also kollektiv turmstrasse did their very best and created something new. >zero gravity love remixes< is the perfect match and absolutely ready for the dance floor. dubby, hypnotic, playful, moving, and last but not least, music made with much love. give it a listen now!!

off welcomes once again a new member to the family. little introduction is needed for a tech-house groundbreaker like jay lumen, already owner of several number 1 records and with an amazing catalogue of hits on labels like suara, cadenza, great stuff or ministry of sound.

a white label release limited to 300 units worldwide, pictures music and ghostly international present three remixes of dauwds *heat division*. featuring re-interpretations from dfas tim goldsworthy, ostguts nick höppner and dauwd himself, this release sheds new light on dauwds sophomore ep. goldsworthys experience producing the likes of unkle and the rapture is put to work on his remix of *heat divsion* adding a mercurial vocal hook and a unique ending to the track, while höppners work roots *and* firmly in the ubiquitous sound of berlin. dauwd rounds off the line-up with a different take on *silverse*, offering a version aimed squarely at the dancefloor.

returning to the fray for the second instalment in its deep house venture, the people are looking at you imprint sees a confident expansion on the sultry tones laid out on the first slab of wax, featuring a sturdy pair of cuts from london production duo jonno & tommo. taking charge with the a side, >a month of rain< is a multi-faceted mover loaded with suspense and surprise. in its opening strains the sharp beat ticks out across a sparse, dub-informed soundscape that slowly fills out via a captivating chord refrain, haunting and seductive in equal measure. without giving too much away ahead of experiencing the track for yourself, be prepared for a dazzling break in the clouds that lifts the summit of the track into an entirely different headspace...

after the huge success of degree 002 by nick curly, which was played a lot on the hot summer festivals 2013, the label now comes up with its 3rd cracker called >nature calls ep< of the three romanian guys horatio, elchinsoul and gruia. three well-known artists, who will again let degree impact on the dancefloors around. despite the stylistic variety of three producers, a clear golden thread runs through the sound. it combines the sultry soul of romania and lets the blood boil in your veins. all in all degree again releases a totally different record, which however has its typical style. high-class sound which is told by artists, who tell more than just one story. a powerful ep for each moment in life and on the dancefloor.

two boys and girls on the spur of the moment. they are wearing masks to hide their faces. no one should know who they are. all members are old hands at different music scenes. now the world has to face a new act called a band of crickets! it is the first release of the new label behind the black curtain.

merkur releases its 6th ep which has a new, different approach compared to the last eps for which it has gained much praise during the past 5 years. the a-side >theme of mercury< was produced by label founder shingo suwa and akirahawks, who is known for the unique re-edit label house mannequin. the two of them mainly perform at homopatik in berlin. theme of mercury is a hypnotic track which was created with some broken old synth and sends your mind on an intergalactic odyssey, before diving into the deepest ocean on a journey to forget about space and time. the first track of the b-side is a remix from ducerey ada nexino aka yuji kondo, also known for his work under both his own name and as a half of steven porter on semantica. the remix fastens up the mix by repetitive pulsating synths, giving the beat an industrial modern atmosphere and letting the crowd heating up. the second track on the flip-side, called >barsoom<, is a solo production by shingo and completes the whole package. the functional work of a cut up 303 acid line with raw bass and a running groove creates an insistent and deeply pressured feeling. vinyl only, limited to 300 copies.

hvnxx is one of the most special projects weve taken part in as a label. some months ago the xx and young turks asked our artists to remix tracks from coexist. it was a big honour and also a big responsi- bility, specially considering that the xx is one of our favourite bands. the outcome of such challenge is a four-track ep that showcases the sound of both well-established members of the hivern family, such as marc pinol and new jackson, and upcoming talents such as round and mistakes are ok. all four remixes are pretty different among them, but they all manage to maintain the distinctive spirit of the original songs in their own way. marc pinol takes fiction to the good ol days of chicago house, laying the original vocals on top of analog drum-machines and a rubbery bassline to that suggest an imaginary collaboration between adonis and oliver sim. the elusive mistakes are ok maintains the tropical vibe of reunion but provides a warped atmosphere combining breezy chimes with static haze and a propulsive bass that boosts the song towards the second part of the remix. hiverns latest signee round transforms the fragility of missing into a soothing house cut through uplifting organ chords and vigorous rhythms fulfilling dancefloor demands without loosing its melancholic character. finally, new jackson proves once again his knack with nocturnal ambiences flipping swept away into a sensuous deep-house gem guided by an absorbing piano and a slow but steady groove. the release comes in an embossed sleeve with artwork designed by arnau pi. hvnxx is a co-release with young turks.

from their earliest childhood, kiril kirik and ivanov, have been overcome by electronic music, having a different sens of this art. deep-tech from the eastern europe. the two urkranian djs were linked with in records in paris, a label sharing the same different taste of music. they decided to give birth to this story through this vinyl under your eyers. under a deep-tech beat, a booming bassline and a minimalistic melody comes *wish you* shared with love hoping to reach your feelings.

detroit house legend terrence parker debut single - finally on planet e features remixes from carl craig and louie vega. this is a limited edition x 500 picture disc with different remixes from the us edition

after time spent whipping up singles for moodmusic and my best friend amongst others, maurice aymard makes the leap to the long-player with a selection of jams that reflect his propensity for live instrumentation and thoroughly musical constructs within the disco-inflected realms of house music. as if metro area were played out by hand, tracks such as home groove hard on plush live bass lines, poignant rhodes chords and romantic lead synths. gui boratto turns up to chip in to colours & drops with its more prominent techy backbone, but that s offset by the non-dancefloor roll of 1994 . it s a diverse album that provides the perfect platform for a skilled craftsman to explore, er, his craft.

borai returns to helm tasteful nudes’ third release, *last time out*, demonstrating his techno chops in two different ways. the title track is all techno muscle, banging out a gigantic piano riff to match the slamming percussion and hypnotic undercurrents. *midnight run* imagines a race through a pitch black city, layering stark pads and sparkling riffs atop its gas-guzzling bass line. both whip the dance floor into shape.

one of the most memorable releases in grid recordings illustrious back catalogue, mutated forms *wastegash* has become an anthem - laying waste to dancefloors with its unique drumstep beat.
now one of the tunes that really helped put mutated forms on the map gets two very different but equally high quality remixes from d&b maestros the upbeats and dubstep don subzeed.
support from friction, skream & benga, caspa, andy c, s.p.y, the upbeats, noisia, crissy criss, ed rush & optical and more!

killer phunkin chicago house tracks

the kicks started as a collective of different musicians, electronic & instrumentalists, that gathered together under one roof just for the fun of it, coming together and jamming at their own expense. a jam is a jam. theres no aim, no target. it is free from expectations and just like that the tapes piled up with no specific style or genre lines. whatever happens, happens is pretty much the attitude that created a label, not out of necessity but out of convenience of being free to release the more outstanding cuts recorded, regardless of their personal definition. the first release is from the curators and creators of the project, maayan nidam & alex picone. the record starts with the psychedelic tone of alice in the desert, continues to a still hypnotic yet down to earth 020 and ends with the stabbing butt shaker think about it. the next releases will continue featuring picone & nidam, joined by cool cats like aquarius heaven, san proper & cesar merveille.

ever-winding down different sonic pathways, the visionquest imprint next shines a light on young norwegian talent terje bakke.

from the deepest depth of a dark studio filled with a handful machines full of crooked circuits and malfunctioning oscillators rises a new project - expansion unit. their alchemical blend of sounds explores the twilight zone of classic electro, full of haunting melodies, squelching synths and pumping low-end. three tracks, three different moods. the journey of expansion unit begins here

yukazu, a band formed by lenuschka krueger and mike hermann, look to combine the charm of french chanson with gypsy balkan groove. the band was completed with the addition of rafaele castiglione who united the group like a kindred musical spirit. he reworked each track affectionately, telling his side of the story so you can look at it from a different angle.

factory floors self-titled debut album is a vivid snapshot of a progressive band, still in the ascendant, smashing through yet another ceiling.
pressing on white 2x12 inch vinyl, cd-copy of the full album included.

877 records present the much anticipated the grid / hips n thighs remix ep. three vastly different takes on the original ep that catapulted my nu leng & majora into the spotlight.

etcht records comes with its second release, this time from new artist cam chorder. this release moves in a different direction from the labels debut showcasing a new slungout analogue electro sound. cam chorders *the worst* was recorded during a live jam taken from rosies box studio in london. featuring breathy vocals and noisy synths, this gives an uneasy yet poppy tone to this record. the original is backed by a futuristic 4x4 reworking by velvit aka dbridge.

following a slew of acclaimed releases on left blank and tri angle, as well an album with the much lauded young echo collective, vessel debuts on the burgeoning liberation technologies imprint with three diverse cuts of inimitable off-kilter electronics. *misery is a communicable disease* serves as a euphoric opener, primed for moments of escapism on or off the dancefloor with resonant hats and an exultant synth line laid bare upon a bed of gauzy pads and valve-warmed kicks. vmi is a different beast altogether, channeling the visceral spirit of minimal wave and punk aesthetic to create a sordid call to arms before the frenzied acid and lingering menace of *not for design* closes the record in typically deranged fashion.

klute returns with his 7th artist lp called *the draft*. we kick things off here with this 3 track taster featuring 3 different styles of tom withers: *turnaround* is d&b like only klute can do, *birdland* is swirling atmospheres set to a laid back beat and *give it all* is darkly sublime with twinges of 4ad and an immense vocal from new talent naomi pryor. the perfect sampler for the full length album, due to hit stores on 14th october.

with fans like amon tobin, skrillex and noisia (whove signed them to their division recordings label), youd expect neosignal to offer something different - and the german duo (aka drum & bass heroes phace & misanthrop) certainly dont disappoint. their debut album raum und zeit including the single planet online is out now! their influences range from can to kraftwerk and joy division to led zeppelin, and, while their music has elements of early krautrock, industrial and 80s ebm (electronic body music), its powered by 21st century, bass-driven production.

for the collectors this massive album from 2008 is split into 3 different parts.

for the collectors this massive album from 2008 is split into 3 different parts.

for the collectors this massive album from 2008 is split into 3 different parts.

oneoffs volume 3 offers just like the previous volume four new cuts from four different producers. first up we got swedish producer jonas rathsman and *yes i am*, a lush deep house track that is both heartfelt and sublime. let it breathe on a large sound system for maximum effect! ending the a-side is duo twinpeaks funk-fuelled ride *not that tech house - dj tool dropped by paris hilton you were searching for*. a track that would fit right into any peak time set, even by paris hilton. want from pixel82 is a punchy track with its scattered synth chords, jerky hats and a thick groove followed by *life is a gamble* where jesse futerman takes us on a soul inspired journey of deft sample manipulation

filippo blasi foglietti is another third ear find well worth checking. the john nixon memorial ep is trippy, dark, deep and grooving. there are four different grooves here, all of which can disconcert and disorientate. perfect for tripping up and tripping out the dance floor.

ovatow drops 3 extremely deep journeys into the fog of endless re-verb and delay applications.flame and a thought are 2 electro-techno tracks that are both build on randomly step-sequenced square bass lines, raiser sharp snares and dubbed out melodies drowned in layers of breathing dusty tape delays. visitation dub iii is a different version of an ovatow track, earlier released as part of the viewpoints chapter one compilation, but this time stripped down to the core bass line, reminiscing bcs presence. the release is dedicated to the loss of south rotterdam based dj juvenile jay who played an important roll in the early dj career of frustrated funks head honcho klen, the man behind the ovatow moniker. very much recommended!

growing up in the deep south of germany with multi ethnic friends and big interest in many different music genres of the world, borrowed identity built his wide knowledge in music. this variety in his musical taste is also the reason why he is working under different aliases producing a big variety of sound from ambient to house to experimental music and everything inbetween.

we are very excited to announce our new dirt crew sub label >spiel< and more so our brand new artist clancy who will do the first release on our new imprint, this also being his debut ep. we started the new label to focus even more on different genres in the dance music world than we already did with dirt crew recordings.

guerrilla soul is amir alexanders deeper alter ego. his first official release under that moniker is a tribute to elizabeth short, the black dahlia. she was a victim of los angeless most notorious unsolved murder back in the late 40s. deep, dark, moody, and emotive vibrations evoke a feeling of wistful melancholy. amir comes with 2 different perspectives of the same theme one on each side of the record. rhythmically moving with lush pads and a minimalistic, yet succinct bass line. deep and super deep are the flavours du jour

our fourth release comes from ogris debris, part of the affine family (home of dorian concept and cid rim) and an internationally acclaimed producer duo from vienna. combining cutting-edge digital production with finest ingredients of techno and house, ogris debris create a unique brand of dance music that is widely acknowledged as innovative by the global scene.
for this release, ogris debris deliver a uk-bass influenced, chord-driven primetime house stomper, somewhat different to their previous releases. on the b-side, hyperdubs grime and funky don scratcha dva eases the rhythm with his rolling bassline sound for a weighty dj tool track, while the clonious diverts the energy with his soulfull keyboard skills and swinging drums into an infectious late-summer future funk affair.

following on your work as one of the twin pioneers of glaswegian radge-rock in arab strap cant be an easy task. aidan clearly has had other ideas, quite different ideas, and most of them comprise his solo project release via his alter ego, lucky pierre. in these recordings, l. pierre pays an affectionate tribute to the wear and tear of overplayed vinyl, the hiss, scratch and pop of records long loved but worn down. it is the sound of survival, the echoes of a life lived well, moth eaten music of dasness and resilience, of beauty and backbone.
pressing on 10 inch vinyl, download code included.

last time we visited satta outside we have been blown away by the music of young lithuanian producer 96wrld who had a couple of singles with monday jazz and renegades of bump. we signed him right away and we are excited to finally share with the world his debut ep *private language* on 12 inch vinyl, limited to 300 copies. a collection of eight tunes that showcase 96wrld s potential as a producer and songwriter that embraces different composition styles, typically in a single tune. his arrangements are complex and give away all detail only on repeated listen. however, tracks like bruce willis can put any club to pieces easily ... test yourself.

people get ready! heres the first of several studio barnhus releases to come from 20-year-old stockholm native baba. despite his youth, this former ballet dancer has an impressive discography under his belt, having been one of the strongest forces of the elusive skweee scene since 2008 while also releasing two albums of dreamy folk pop under his betlehem beard corporation alias. our girls is a raw, bouncy house jam recorded to cassette in three different tempos and arrangements. enjoy!

for those of you who dont already know, plaster is an electronic music project born in rome in 2008 and comprised of gianclaudio hashem moniri and giuseppe carlini, best known for their works on german label stroboscopic artefacts, berlin-based unoiki and ukraine-based label kvitnu...
now the italian duo find themselves in london, joining forces with touchin bass to weave together a damn fine four track ep which aims to mix a combination of styles from downtempo, dark, brooding beats to more compelling rhythms which have the capacity to make you dance... plasters sound is impressively textured with rich eclectic tones. it is simple but effective, showing different emotions, tempos and styles.
look no further... this ep will draw you in, chew you up and spit you out, but you will be all the better for it.

samuli kemppi played live twice at suicide circus, and since his energetic sound really fit well with our club, we started talking to each other about a release on our dark series imprint. so here we go now, after releases on labels such as prologue, mote evolver and perc trax, samuli kemppi now is ready to rock your boat with three tracks on our label, which define a very particular sound of their own. last day on earth brings samulis apocalyptic vision to the dancefloors. dark hisses, well scaped spaces and a hookline with the pull of a spacecraft make up for a track that with no doubt will be one of the techno anthems of the next months. a killer of a track! on the b-side spacing has similar sound aesthetics as last day on earth, but comes along more playful whereas calling approaches the apocalyptic theme from a very different angle. bleepy synths over a banging beat let you think of laser shots in the dark, haunting and scary.

once again the *space dimension controller* returns from the unknown sphere to the clone basecamp. this is the first in the new correlation series of releases by sdc. the vinyl version comes with a series of prints made by sdc himself. five different prints, each reffering with mood and colour use to one of the tracks on this correlation #1 release. with each record there is 1 print randomly inserted with the first pressing.

on uncanny valley s catalogue number 18 we finally welcome back credit 00 who is a man in charge of a decent collection of those dusty machines we all love. after the ice cold the living room life ep from 2012, his brand new record ice cream is easy to fall in love with. packed with tunes to suit various moods in life, it will be a faithful companion in dark basements or lonesome hours. ice cream starts deliciously with its sleazy sample choice. with the distinctive drum work it builds up to a true chicago-inspired dance floor banger. round n round hits hard with a harsh kick and cowbell action before it shows off slightly melancholic lead synths and a subtle but effective bass line and puts the emphasis on the fact that things go round and round. life s a dizzy affair. east of nowhere with that bass line-sound is credit 00 to the core. and with spooky synths he puts you to an east of nowhere-place where you will lose yourself in manic trance-like dancing. the record ends with red wine , a slightly different electronic love song sung by credit 00. the cover artwork was created by alexander dorn.

e.a.r always pull something perfectly summery out of the bag just as the sun pokes it head from behind the clouds and with *mercado viejo*, it is no different. this carnival style mood lifter is destined to have heads nodding and feet tapping in beach bars and around pools all over the world. news has it that it is already heralding the summer season in ibiza in a wonderfully cheerful way.

tin man has been creating a stir on dance floors worldwide for many years with his unique vision of acid, techno and house. in recent times he has opened his production toolbox to a wider variety of styles, also focusing on songwriting, often adding vocals. the underdog series, produced last winter in new york, emphasizes on deep killer techno – this new release – the underdog ep part 2 – features three floor shaking techno cuts in different shapes. on the a side the aptly titled >swarm< features an epic minimal acid tune building over 10 minutes driven by twirling soundscapes resembling a swarm of killerbees on attack. flipping over there is >hack<, which bows towards soundhack with its dirty funked up sample chords and cut up groove. the ep finishes off with >rocky<, a masterpiece in reduction – hypnotic and deep techno.

limited 7 inch in different vinyl colors with hand stamped cover o*rs dub you more than you will ever know. filburt create in co-operation with andreas wendland (from the band lunar), as o*m*c*d the new o*rs. its deep dope dubby journey

fleetwood mac is a band with many faces. in contrast to their poppy sound of the 70s, fleetwood mac actually started out in the sixties as a psychedelic blues band under guitarist peter greens lead.
pious bird of good omen was originally released in 1969 as a compilation of the bands bluesy roots: their first four uk singles and their b-sides and two tracks by bluesman eddie boyd with fleetwood mac backing. the albums sound is laidback, down & very dirty, featuring scorching cover versions of little willie johns >need your love so bad< and robert johnsons >i believe my time aint long<. the b-side features the international hit single >albatross< and peter greens composition >black magic woman<, the latter being popularized by santanas version in 1970. this album is a must-have for blues fans. anyone interested in the roots of fleetwood mac might discover they are essentially a totally different band than one might think.

popsimonova is the new upcoming queen of electro (wave). her tracks are cold but with lots of energy. intelligent constructed tracks to make you move but also to make you take a step back and let the music work on you in different ways. this is what they call electro from beyond the former iron curtain.